recent Ginger production issues!

Albums, singles, songs and general Ginger banter

Postby shockingcandy » 14th Jan 08, 19:09

Col wrote:Yeah, lets put an end to this bickering.

Except to ask, why is Yoni being remastered?


Because musicians are never satisfied (including me!)
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Postby Jimmy79 » 14th Jan 08, 19:31

I really dont have a problem with prodution of guitar sound etc
I agree that can be down to different equipment and also the sound to fit the song
I am talking about the fact that on most of the new songs you cannot hardly hear a single word that Ginger is singing

it baffles me why this is

I can only presume its what ginger wants
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Postby shockingcandy » 14th Jan 08, 21:05

Jimmy79 wrote:I really dont have a problem with prodution of guitar sound etc
I agree that can be down to different equipment and also the sound to fit the song
I am talking about the fact that on most of the new songs you cannot hardly hear a single word that Ginger is singing

it baffles me why this is

I can only presume its what ginger wants


Interestingly some people have said the same about my recordings. It does seem that some studio monitors make the vocals more audible than standard hi-fi. Or maybe singing brings out the self-concious side in some people?
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Postby dds14 » 14th Jan 08, 22:36

The low vocals and overlong tracks really put me off the latest album.

The only one that's perfect in my opinion is Bipolar Baby.

Compare the vocals and general production of the latest one to say Earth Vs...
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Postby shockingcandy » 14th Jan 08, 22:46

dds14 wrote:The low vocals and overlong tracks really put me off the latest album.

The only one that's perfect in my opinion is Bipolar Baby.

Compare the vocals and general production of the latest one to say Earth Vs...


I think most people were referring to the production on Yoni in this thread - I think the production on the white album is fuckin' ace!
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Postby Ben Wright » 15th Jan 08, 14:37

Here's my two cents on the subject.

The production with Valour wasn't fantastic, but the rawness really fitted in nicely with the lyrical content of the album. I think to have a polished album production wise would have detracted from the power and meaning behing the songs. (In that respect same principle applies to Endless, Nameless. I mean how could you make an album about getting fucked up on smack and other drugs and have it all jolly sounding?)

However, Yoni was a bit poor production wise. But, the quality of the songs make the album stand up.

In an ideal world, one where I didn't drop the fucking hoover on my foot and end up with a black toe, the production would be amazing along with the tunes on Yoni. But, Ginger's doing the stuff off his own back and sadly does not have the financial resources (I'm guessing) to put out material that production and promotional wise would be in the same league of PHUQ or 'Fishing....'

Regardless of this though, I'd take any new solo Ginger material over none at all. It's amazing to listen to so much new stuff of his every year and TWO Wildhearts albums next year will be amazing!
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Postby Assmask » 15th Jan 08, 15:09

Col wrote:Except to ask, why is Yoni being remastered?


I think it's due to the poor production...
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Postby shockingcandy » 15th Jan 08, 15:53

Assmask wrote:
Col wrote:Except to ask, why is Yoni being remastered?


I think it's due to the poor production...


Remastering won't change the levels of the vocals in the mix etc. it will only subtly change the overall tone and relative loudness (though this can make some elements a LITTLE more audible). So unless they are remixing it too I wouldn't expect a massive difference. Remastering is often used as an excuse for re-launching a record in the public eye.
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Postby shadow » 15th Jan 08, 19:03

personally i thought the overall tone/relative loudness WAS the problem---felt the actual mix was spot on----the album just seemed to suffer a bit when played alongside other bands cds
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Postby shockingcandy » 15th Jan 08, 19:15

shadow wrote:personally i thought the overall tone/relative loudness WAS the problem---felt the actual mix was spot on----the album just seemed to suffer a bit when played alongside other bands cds


You mean it wasn't loud compared to other records? I haven't really compared it to other records so I can't comment on that but there seems to have been a relentless push for increased loudness at the expense of dynamics (i.e. quiet bits and loud bits) in the last few years and whilst this may help grab the listeners on radio 1 I'm not convinced the music is really better for it. Volume controls were invented for a reason - if it's too quiet turn it up :D
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Postby spoon_of_grimbo » 15th Jan 08, 19:26

shockingcandy wrote:
shadow wrote:personally i thought the overall tone/relative loudness WAS the problem---felt the actual mix was spot on----the album just seemed to suffer a bit when played alongside other bands cds


You mean it wasn't loud compared to other records? I haven't really compared it to other records so I can't comment on that but there seems to have been a relentless push for increased loudness at the expense of dynamics (i.e. quiet bits and loud bits) in the last few years and whilst this may help grab the listeners on radio 1 I'm not convinced the music is really better for it. Volume controls were invented for a reason - if it's too quiet turn it up :D


you mean the whole "loudness war" thing?

yeah, i agree, music should have more dynamics. if you've got shit speakers and need a louder version, just get a cheap/free program like audacity and increase the gain as high as it'll go without clipping and bounce down a new louder version of each track from said albums. but otherwise, for the benefit of the general public, it's better to have control of the volume yourself rather than some guy at a record label decreeing that his bands shall be louder than all else!
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Postby Stuart Brackpool » 16th Jan 08, 14:03

I'm with shockingcandy and spoon on the issue of 'loudness' and 'dynamics'. Most music relased nowadays suffers from this. If you listen to any album released in the past 2 or 3 years then listen to one released, say, over 10-15 years ago, you really do have to turn the volume right up. I noticed it with Teenage Fanclub's Bandwagonesque.

Ultimately when it comes to issues of production and mixing we're all in thrall to the vision and whims of what kind of sound the artist and producer are trying to create. Whereas Valor... had that wonderful scuzzy sound, Yoni, to my ears, sounded shiny, polished like chrome. Both sounds complemented the songs within those albums. While production and presentation of a song are important I think we can all agree that it's secondary to the song itself. The song is King, my friends!
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Postby maz » 16th Jan 08, 14:07

Interesting post this one - my take on it is - my rating in brackets:

Don't be happy.... - good songs (7) - weak production (5.5), largely down to the drum sound and ultimately down to budgets - overall 6.5

Earth vs...... - great songs (9.5) - far better production, lovely guitar tones (8 )
overall 9

P.h.u.q - Fantastic songs (10) - the best wildhearts/ginger related production (9.5), largely down to the bombastic drum sound!!! Obviously Battersby is a different kind of drummer than stidi and the sort of songs on the album suited him.
overall 10

Fishing for luckies (original) another great batch of songs (9) and as they were sessions from p.h.u.q the production is also high quality (9) - I'm just thinking, because these were never eventually chosen for p.h.u.q I feel they were not mastered in the same sessions as the actual album - does anyone know or have an opinion on this? I just feel that with inglorious, sky babies ect the production is around 95% up to the standard of p.h.u.q, i just feel the snare isn't as loud.

Fishing for luckies (sick of drugs, different kind of love, red light/green light, moodswings ect....) a cool sound, particularly interesting rhythm guitars - listen to red/light for example and during the first bridge the guitars sound semi-acoustic, basically it seems the tone that was used was purposely different, obviously jeff streatfields inclusion was a factor - i thought this line-up by the way was the best, his backing vocals on this and live are excellent!!! Generally these songs are produced really well
overall 9

Landmines and Pantomimes - mixed bag of tunes (6.5) and mixed production (7.5 ) - obviously these were b-sides/rarities ect and were never full mixes, however songs like abhoria, velvet presley, Ride the wave (great drumming in that one) sounded really decent
Overall 7

Endless Nameless - what is there to say about this album, fantastically different, almost ahead of it's time - songs (9), production..........it's a tough one really, as it is so different, you can give it a 10 or maybe a 1!! I always thought songs like nurse maximum (one of my favourite wildhearts songs) and sounddog babylong had a fat-boy slim kind of vibe but obviously far heavier. I would say the production is perhaps slightly too tinny but apart from that I will give it an 8!!
Overall 8.5

Wildhearts must be destroyed
- mixed bag of tunes (6) and I would actually question the production on this one.......(7)........vanilla radio works, but some of the tunes sound a bit too tinny, and the drum sound isn't too clever
Overall 6.5

Coupled with - reading a lot of the posts on this forum I have noted that this is quite a fan favourite, I feel i'm in the minority - the tunes are certainly a mixed bag (6) with OCD and stormy being well up there, but there are some poor tunes too.............production wise is even more controversial, to my ears it isn't good at all, the drum sound is poor (5) and it doesn't come anywhere near earth vs/p.h.u.q/fishing/endless or even landmines..........
overall 5.5

The Wildhearts - some quality songs (8 ), riffs are back, great choruses, but maybe 10 songs are not enough and I have heard unbroken which perhaps could have been the best song off the album.................i'm going to again be controversial with the production, I think it is good, but not brilliant (7.5)................the opening to sweetest song, hard way are brilliant........really good, really thumping.............however I feel throughout other songs the drums are far too low in the mix, the snare and bass drum
are barely audible in some of the tunes, and listen to destroy, fantastic song, but what about the brilliant fills that battersby the legend does, I feel they are too low in the mix. Now compare that with the sound at certain gigs end of last year (well I was at astoria) it's beefy it's loud............
overal (7.5)

I suppose what i'm saying in all this is that the most important sound for me are the drums (and i'm a guitarist lol!) in a wildhearts production certainly. The guitars come a close second, but what about vocals?? Well actually this is down to gingers voice changing, as all voices naturally do over time. I feel between p.h.u.q and endless his voice was absoulte quality, maybe it's down to the production but it sounds quality, I would say it still does, check out nurse maximum and urge from the live gig he sounded awesome, but I feel some of the tunes that have been written recently perhaps involve more shouty/almost spoken word kind of lyrics........rather than gentle or more melodic vocals - in lilly's garden, just in lust, nita nitro ect..... Endless Nameless was genious because it meant ginger's voice could be fx laden...........he almost sounds like old-skool liam gallacher in pi*ssjoy.

This brings me onto the solo stuff:

Silver ginger - tunes - cool, glam rock esque (7.5) production (6) - again is it just me or is the sound almost uncomprehendable - too tinny, too clustered, and songs like brain sugar which are excellent are too polished and tinny and anyway but maybe suffers from the vocal mix being back to front (check out the chorus and you will know what I mean, low voice higher than the high voice). I hear there are 2 versions of this album that are mixed differently?
overal 6.5

Valador..............tunes - very good I reckon (8 ) production (7) - certainly better than silver ginger, I always like the fact that ginger likes his guitars played loud!!!!!
overal 7.5

Yoni - tunes (8.5) really different kind of album this one - black windows sounds like rush/toto/bob marley combined - don't understand why people are having a go at the production (7.5) - it's purposely done this way (Like endless namelss) the drummer Denzil is really good, you can hear different parts of his kits and his technique oozing through the production, so it's quite dynamic - the guitar tones are different too - well you can tell he uses fender in some of the songs, there's that jangly sound to a lot of the songs. Ok I would say it could probably be a bit meaner, perhaps it's too tinny, songs like when she comes for example sound good as they are but people are probably sitting there thinking christ this could be brilliant if it was recorded wildhearts old-skool way.
overal (8 )

Well at the end of the day that is my lloooong assessement. Of course much of it is down to money, I would love to find out how much each album cost but to me p.h.u.q is ahead of the rest, unless they were in the studio for months recording endless (due to their erm past time activities at the time) maybe that cost quite a bit. It's of course also down to the recording techiques used, producer/mixing ect.......
Funnily enough I read somewhere that ginger wasn't happy with some of the guys involved with p.h.u.q (engineers?) and that it didn't sound how he would have wanted it to..................it's very interesting that everyone has such a different perspective, of course gingers would be the most correct and looking at my assessment I have probably over analysed it and been too critical, ginger and co are legends - but music and production to me is fascinating as a whole.
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Postby shockingcandy » 16th Jan 08, 14:31

maz wrote:I suppose what i'm saying in all this is that the most important sound for me are the drums (and i'm a guitarist lol!) in a wildhearts production certainly.


Drums are one of the most difficult instruments to capture, partly because the kit covers a large part of the frequency spectrum of human hearing not to mention the fact that the sound originates from multiple sources. The bigger the budget the longer you can spend capturing it in all it's glory
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Postby markE » 16th Jan 08, 14:36

maz, wow - that was a thorough reply :!:
and only your second post :shock:
why do i have to ignore you to get your attention?
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